30.6.13

Mercury in the signs - Pisces

Sensitive and dreamy

Mercury in Pisces loses some of his practical and logical way of thinking in a conventional sense, however, a person with this placement likes to talk and think about his intuitive insights, revealing dreams and those quite undercurrents that defy all logic. Mercury in Pisces does not necessarily focus on the subject at hand and can easily slip from one subject to the next, infusing his narrative with spiritual, even religious, vocabulary.

Therefore, anyone looking for a simple explanation of reality and the subject at hand may get a little frustrated with this Mercury who, to the more sober and straight-forward thinking mind, goes off on a tangent and often appears confused. The way Mercury in Pisces communicates is therefore slightly unpredictable and somewhere in between reality and the dream world he often escapes into. A person with this placement communicates intuitively – this one doesn’t let facts ruin a good story.

The world of glitz and glamour fascinates someone with Mercury in Pisces – an escape from reality. This can also include substance abuse.

Overall, people Mercury in Pisces do better in an environment such as art, graphic design, fiction writing and film production or theatre – anywhere were the mind runs freely and where he is not required to contribute to debates and projects in an analytical manner.

Nevertheless, Mercury here is a visionary with vivid images who is great at expressing his thoughts with metaphoric examples. He is however, always a little absent-minded. Someone with this placement tends to talk in a soft, emotional and understanding manner, he is ultra-sensitive, soaking up impressions around him.

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Liza Minnelli has her Mercury in Pisces alongside exalted Venus in the same sign. This is a glamorous pairing and a suitable one for a high-profile, Oscar-winning actress.











However, she is also known for her substance abuse – again debilitated Mercury together with exalted Venus may well have to do with that.

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